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Author / kilindi
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聴衆の笑いがディレクターたちとゴリラの間に挟まれて概念上のサンドイッチの中身となっています
Nick Awde reviews Consignia’s THE FLATTERERS, Edinburgh Festival Fringe, August 2022 (sound only, in Japanese – locked content – but watch this space)
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“We’re bringing goth music and festivals back to Morecambe”
Fiona and Alex Wetton of Alhambra Live and Corrosion talk to Nick Awde (Alhambra Live Magazine #009)
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“There’s a moodiness, a broodiness about Sweet Ermengarde songs – it’s definitely dark”
Sweet Ermengarde’s Drew Freeman talks to Nick Awde (Alhambra Live Magazine #008)
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“When you’re talking about concepts of death and love and war and revolution and passion and betrayal…”
Joel Heyes of Byronic Sex & Exile and Goth City talks to Nick Awde (Alhambra Live Magazine #007)
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“What Morecambe offers is a full gothic weekend that’s just about the music”
Donna McLeod and Mike Murray of McGothicfox Promotions talk to Nick Awde (Alhambra Live Magazine #006)
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International Days Festival 2022 – The Suceava Interviews
Interviews from a week at the International Days Festival held by the Matei Vișniec Theatre in Suceava, Romania
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“There’s a bit of punk and glam made dark and chopped up in everybody”
Luxury Stranger’s Simon York talks to Nick Awde (Alhambra Live Magazine #005)
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“In Germany, if they like your band, genre becomes immaterial”
The Faces of Sarah’s Nick Schultz & Emma Newby talk to Nick Awde (Alhambra Live Magazine #004)
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“At the niche festivals, it’s always more about the music”
Klammer’s guitarist/producer Steve Whitfield talks to Nick Awde (Alhambra Live Magazine #003)
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“Get off your sofa and see a local band!”
Joe Cummings, Jon Cummings & Lee Meadows of The Glass House Museum talk to Nick Awde (Alhambra Live Magazine #002)
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“Goth has had its hard knocks but it will always be there”
Gothzilla’s singer/guitarist Tim Jarvis talks to Nick Awde (Alhambra Live Magazine #001)
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Romania’s International Days Festival 2022
‘The Matei Vișniec International Days Festival: combating barbarism and confronting the past.’
Feature for SEEStage – platform for independent theatre criticism and arts journalism in South East Europe -
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The Handke Project
A cluster article in four parts: interviews with Kosovo’s writer Jeton Neziraj, director Blerta Neziraj and actor Adrian Morina, plus ‘Peter Handke: An Idiot’s Guide to a Useful Idiot’
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Euro.Touch 2021 – National Theatre of Greenland
Nunatta Isiginnaartitsisarfia (The National Theatre of Greenland) is an independent, public institution, established in 2011. It aims to produce a repertoire of high artistic quality in the performing arts that is based…
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Prague Quadrennial 2019
Staging Places Studio – the UK’s Prague Quadrennial theatre design entry https://www.thestage.co.uk/features/staging-places-studio–the-uks-prague-quadrennial-theatre-design-entry
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Act II – playlet 11 – The Last Crumb
THE LAST CRUMB A FAMILY, A SUPPER TABLE. DAD IS FINISHING LAYING THE TABLE. DAD: Come on you lot, to the table! KIDS: Aw Dad! DAD: Get off them personal devices— KIDS:…
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Act II – playlet 10 – Sanctioned
SANCTIONED LONDON, DOWNING STREET. PRIME MINISTER: Good morning, good afternoon, good day! CLAIMANT: I’ve a serious bad feeling that I’m up to be betrayed. Why am I here, I’ve asked and still…
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Act II – playlet 09 – Rent
RENT Yeah I know I wasn’t taking the bus to the meetings. So I was going to go buy my stuff, you know, in the opposite direction. You know that, I know…
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Act II – playlet 08 – My Rock
MY ROCK ED: Maria, she’s the rock of my life really. No, we’re rocks for each other if I’m honest. MARIA: A bit of dry land in the rocky seas we call…
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Act II – playlet 07 – Kids
KIDS I always help me mum. She gets funny some times, like she says it’s her turns and she can’t really do owt. So I help her. It’s not really much really…
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