Author / kilindi
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Portugal’s NU:N: “We’re not just a dark rock band, we’re a dark humorous one too”
NU:N talk to Nick Awde (Alhambra Live Magazine #014)
February 10, 2023 -
Talk to Her: making waves in the Italian goth scene
Talk to Her’s Andrea Visaggio & Francesco Zambon talk to Nick Awde (Alhambra Live Magazine #013)
February 9, 2023 -
Last Dusk put a shine on Costa Rica’s goth golden age
Carfax Haddo of Last Dusk talks to Nick Awde (Alhambra Live Magazine #012)
February 5, 2023 -
Sweet Ermengarde: a blast of fresh air from Germany’s rock underground
Lars Kappeler & Mischa Kliege of Sweet Ermengarde talk to Nick Awde (Alhambra Live Magazine #011)
February 5, 2023 -
“Everyone should be allowed to take part in the world of theatre”
Sadie Jemmett of France’s Footsbarn Travelling Theatre talks to Nick Awde
January 17, 2023 -
“Bringing old and new audiences together was the start of Dark Skies over Witten”
Carsten Frauendorf of Dark Skies over Witten talks to Nick Awde (Alhambra Live Magazine #010)
January 7, 2023 -
聴衆の笑いがディレクターたちとゴリラの間に挟まれて概念上のサンドイッチの中身となっています
Nick Awde reviews Consignia’s THE FLATTERERS, Edinburgh Festival Fringe, August 2022 (sound only, in Japanese – locked content – but watch this space)
September 20, 2022 -
“We’re bringing goth music and festivals back to Morecambe”
Fiona and Alex Wetton of Alhambra Live and Corrosion talk to Nick Awde (Alhambra Live Magazine #009)
August 4, 2022 -
“There’s a moodiness, a broodiness about Sweet Ermengarde songs – it’s definitely dark”
Sweet Ermengarde’s Drew Freeman talks to Nick Awde (Alhambra Live Magazine #008)
August 1, 2022 -
“When you’re talking about concepts of death and love and war and revolution and passion and betrayal…”
Joel Heyes of Byronic Sex & Exile and Goth City talks to Nick Awde (Alhambra Live Magazine #007)
July 28, 2022 -
“What Morecambe offers is a full gothic weekend that’s just about the music”
Donna McLeod and Mike Murray of McGothicfox Promotions talk to Nick Awde (Alhambra Live Magazine #006)
July 26, 2022 -
International Days Festival 2022 – The Suceava Interviews
Interviews from a week at the International Days Festival held by the Matei Vișniec Theatre in Suceava, Romania
July 19, 2022 -
“There’s a bit of punk and glam made dark and chopped up in everybody”
Luxury Stranger’s Simon York talks to Nick Awde (Alhambra Live Magazine #005)
July 16, 2022 -
“In Germany, if they like your band, genre becomes immaterial”
The Faces of Sarah’s Nick Schultz & Emma Newby talk to Nick Awde (Alhambra Live Magazine #004)
July 14, 2022 -
“At the niche festivals, it’s always more about the music”
Klammer’s guitarist/producer Steve Whitfield talks to Nick Awde (Alhambra Live Magazine #003)
July 10, 2022 -
“Get off your sofa and see a local band!”
Joe Cummings, Jon Cummings & Lee Meadows of The Glass House Museum talk to Nick Awde (Alhambra Live Magazine #002)
July 8, 2022 -
“Goth has had its hard knocks but it will always be there”
Gothzilla’s singer/guitarist Tim Jarvis talks to Nick Awde (Alhambra Live Magazine #001)
July 6, 2022 -
Romania’s International Days Festival 2022
‘The Matei Vișniec International Days Festival: combating barbarism and confronting the past.’
Feature for SEEStage – platform for independent theatre criticism and arts journalism in South East EuropeJune 14, 2022 -
The Handke Project
A cluster article in four parts: interviews with Kosovo’s writer Jeton Neziraj, director Blerta Neziraj and actor Adrian Morina, plus ‘Peter Handke: An Idiot’s Guide to a Useful Idiot’
June 8, 2022 -
Euro.Touch 2021 – National Theatre of Greenland
Nunatta Isiginnaartitsisarfia (The National Theatre of Greenland) is an independent, public institution, established in 2011. It aims to produce a repertoire of high artistic quality in the performing arts that is based…
August 2, 2021
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Recent Posts
- Portugal’s NU:N: “We’re not just a dark rock band, we’re a dark humorous one too”
- Talk to Her: making waves in the Italian goth scene
- Last Dusk put a shine on Costa Rica’s goth golden age
- Sweet Ermengarde: a blast of fresh air from Germany’s rock underground
- “Everyone should be allowed to take part in the world of theatre”
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